Khalakatapatna is situated on the left bank of the river Kushabhadra and was a port town of the Ganga dynasty (12th and 14th centuries AD). The excavations at Khalkatapatna (IAR 1984–85: 56–60), took place at the site between 1984–85 and 1994–95, brought to light a brick jelly floor, which might have served as a loading and unloading platform. Chinese Celadon ware, Chinese porcelain with blue floral design on white background and egg-white glazed ware, besides glazed 6 chocolate ware of Arabian origin and dark grey and red slipped ware of indigenous origin pottery were recovered from the excavations. The shapes include bowls, basins, vases and miniature pots and all are wheel turned. The other antiquities include arecanut-shaped beads of terracotta, fragments of bangle of glass and copper, terracotta animal figurines, a miniature copper bowl and one complete and one fragment of Chinese copper coin datable to the14th century AD. The circular copper coin has a square perforation in the centre and legend in Chinese characters. The finds belong to a single culture period which can be dated between the 12th and 14th centuries AD and the period falls under the Imperial Gangas of Orissa. No structural remains have been encountered in the habitational area (Sinha 1992). Ports of erstwhile kalinga PC: Sila TripatiPC: Sila Tripati
Now, this beach is one of the most serene and unexplored beach in the entire odisha, particularly in Puri, yet it is so closed to Ramachandi temple on the marine drive road. Here are some of the photos. Cactus flowers on the shoreA view of Khalakata PatanaA view of Kushabhadra river
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Now a days, since all the mainstream beaches are over crowded, people tends to move to some unknown beaches and surprisingly this one fits for that. It is the best destination if you want to spend time on lonely beaches.
Best of journey in advance folks…..
Khambeswari temple, Aska. PC: Debashish Dash https://twitter.com/TheDashDD Goddess Khambhesvari is originally an tribal Goddess worshipped by the tribes of hinterland Odisha. In course of time She was like many other tribal deities given a place in the Hindu pantheon and subsequently she was transformed from a nomadic cult to Shakti cult. Khambhesvari, the Goddess of the Post or Pillar is one of the famous formless autochthonous deities widely worshipped in the hill tracts of Bargarh, Sambalpur, Angul, Dhenkanal, Bolangir, Subarnapur, Boudh, Kalahandi and the Ganjam districts of Odisha. She is worshipped as a manifestation of Shakti in the form of wooden posts or pillars and also through stones. Legends: Khambeswari temple--Aska An interesting legend about the temple in Aska says that once Goddess Khambhesvari appeared in a dream before Khambamuni who lived in the forest and desired that she should be worshipped by the latter. As per the stipulation of Khambamun...
Chamunda is a fearsome aspect of Shakti, also known as chamundi, chamundeswari and charchika. She is one of the Saptamatruka or seven divine Goddesses. She is also one of the chief Joginis, a group of sixty-four or eighty-one Tantric goddesses. According to legend, Chamunda appeared from the frown of the benign goddess Parvati to kill demons Chanda and Munda. Here, Chamunda is viewed as a form of Parvati. Matsaya Purana tells a different story of Chamunda’s origins. She with other matrikas was created by Shiva to help him kill the demon Andhakasura, who has an ability — like Raktabija — to generate from his dripping blood. Chamunda with the other matrikas drinks the blood of the demon ultimately helping Shiva kill him. Ratnakara, in his text Haravijaya, also describes this feature of Chamunda, but solely credits Chamunda, not the other matrikas of sipping the blood of Andhaka. Having drunk the blood, Chamunda’s complexion changed to blood-red. The text further says that Chamund...
The outer wall of Lord Jagannath Temple has gates openings for the devotees in the four direction. These four gates are represented by the four animals. In the east there is lion and hence called lion’s gate or sinhadwar. In the west there is tiger hence tiger’s gate or Vyaghradwar. In the north, there is elephant and hence called as elephant’s gate or Hastidwar. In the south, there is horse and hence horse’s gate or ashvadwar. Eastern Gate/Lion’s Gate/Simha Dwara The two lions statues are there in this gate in the crouching position. The lion is a symbolic representation of MOKSHYA. Hence is is popularly said that if you enter in the temple through this gate, you will get mokshya. The deities present in simhadwar are Kasi Biswanath, Goudia Nrusimha and Bhagya Hanumaan. Southern Gate/Horse Gate/Aswa Dwara The horses symbolically represent the KAMA or lust. There are two galloping horses with Jagannath and Balabhadra on their back in the ma...
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